"Readers who enjoy the boundary-pushing work of cartoonists such as Dash Shaw and Olivier Schrauwen will freely surrender to Willumsen's equally dreamlike world."
- Publishers Weekly

"Connor Willumsen is a blackbelt of formalism in comics. There is an unending sense of "thinking" in this book. Every angle and every option is considered."
- Caleb Orecchio, Comics Workbook

"From beginning to end, Willumsen pushes you in the deep end and forces you to tread over adroit uncertainty, using water as a stand-in for not only the fragile nature of nostalgia and relationships, but your very own mind. Anti-Gone is about all these things. At least I think so."
- RJ Casey, The Comics Journal

"Connor Willumsen's first graphic novel, Anti-Gone, beautifully follows a couple who drift on a small boat and go see a movie on drugs. It felt to me a bit like a Tao Lin novel in that it focuses on young people who spend their time shopping for clothes and entertainment/drugs."
- Dash Shaw, The Comics Journal

"Willumsen's [Anti-Gone] might be the indie house's crowning glory."
- Abraham Riesman, Vulture

"Illustrated with a virtuoso command of pose and movement, with imaginative and surreal flourishes throughout, Anti-Gone is one of the year's most impressive releases."
- Gosh! Comics

"With beautiful line art, Willumsen tells one of the oddest stories of the year, but also one of the most visually compelling and formally striking."
- Shea Hennum, The A.V. Club

"You get an odd combination of super contemporary, minimalist, and economical cartooning - the sort of artistic sensibility you expect from a young author, but with a maturity of voice suggesting a master playwright or screenwriter."
- Peter Birkemoe, Quill & Quire

"Willumsen's fantasy involves two tourists, Spyda and Lynxa, who explore an island that turns into a futuristic city or an apocalyptic nightmare depending on what drugs they’re taking."
- Heidi MacDonald, The Comics Beat

"Willumsen's book demands that you spend time looking at it from multiple angles, then trusts you to make up your own mind."
- Ryan Carey, Daily Grindhouse

"Anti-Gone is likely one of the strongest long-form formalist comics published this year. Willumsen's pages made me gasp, and flinch, and read and re-read, and re-read."
- Alex Hoffman, Sequential State

"Book of the year for me, and probably an absolute game-changer for a generation of cartoonists about to emerge"
- Brian Nicholson, Are Comics Even Good

"Connor doesn't just show celebrity for what it is (an unread contract, hastily signed); he doggedly pursues its terms and repercussions into a familiar, shifting zone of comic unreality, a psychic space more intuited than defined. Improbably, Bradley of Him finds the whole world in fame and its ubiquitous cosigners--a book as sensitive and sweeping in its observations as it is sly."
- George Elkind (contributing writer, The Comics Journal and Detroit Metro Times)



"A masterpiece. With a virtuosic hand that positions cartooning in all its various modes—as design, as symbol, as representation—Willumsen burrows into the psychic torture of the self amid the entitlement and narcissism of a culturally bereft Las Vegas. It ripples outward, to the limits of the American ethos that anything wanted—intellectually, spiritually, physically—can be grabbed with both hands if desired, and to the acute melancholic madness of our intense yearnings."
— Sammy Harkham (cartoonist-editor, Kramers Ergot, Crickets)


"One way or another, Willumsen always finds a way to translate his extraordinary imagination into imagery that not only catches, but fully absorbs, the attention of the reader, and that’s no mean feat considering the sheer size, scale, and scope of his ambition. Like his protagonist, he’s forever pushing himself — he never stops running ... Bradley Of Him is a book that you’ll want to obtain immediately, and one that will probably be much-discussed come our own end-of-year “awards season” in comics as many of us will be in the midst of our fifth or sixth re-read of it at that point, and picking up something new from it each time."
- Ryan Carey, Solrad


"The morphing story line is perfectly matched by Willumsen’s precisely modulated pencil drawings that shift effortlessly from confident minimalism to detailed landscapes. This artful, ambiguous character study will both challenge and fascinate adventurous art comics readers."
- Publishers Weekly


"Willumsen is an expert draftsman and designer, presenting pages that swirl with action and occasionally laugh-out-loud funny dialog as scenes segue into one another with an often dreamlike quality ... Willumsen pokes fun at the vapidity of celebrity culture and seems interested in satirizing a particularly American sense of entitlement, but ultimately he obscures whatever point he has in mind in favor of remaining willfully, and fascinatingly, perplexing."
- Thomas L. Batten, Library Journal


"From the image of a stubborn runner in an inhospitable landscape, Willumsen has built up a hilarious and philosophically challenging meditation on individuality, capitalism, celebrity, connection — and, under it all, absurdity."
- Etelka Lehoczky, NPR


"Bradley of Him is as much a Challenging Work as any Willumsen, an avant-garde comic that uses its author's incredible skill to attempt maneuvers which would completely derail a project by a lesser talent. It's manifestly the work of a genius, but one whose delights beg consideration more than enjoyment. It's really, really weird. If you're not down for that, it runs right past you."
- Matt Seneca, The Comics Journal


"Bradley of Him feels like a new cult classic, an addition to the lexicon of modern outsider storytellers and haunted urban dreamers. It’s densely packed with exchanges, inventories, people. It’s Nevada, your choices are crowds and air conditioning or nobody and the baking sun. Willumsen loads each page. Figures appear over and over, a phénakisticope of myriad angles, a hundred bees locked into a honeycomb with largely invisible edges. Willumsen has mostly done away with drawing panel borders. The art is held behind walls that aren’t there, contained by where the panel should end, phantom gutters."
- Arpad Okay, The BEat


" Bradley of Him delivers an engagingly idiosyncratic visual approach that challenges comics conventions while still providing the pleasures of a vividly told visual tale."
- Chris Gavaler, Pop Matters